In this masterful surreal and extraordinary film a young translator who finds the real world slowly merging with her nightmares as she tries to solve her memory loss of the past few days. A postcard leads her to the island of Garma where the people there not only seem to know her but also her vivid dreams of an astronaut left behind on the moon become steadily stronger.

Le orme (1975)
  • Rating: (382 votes)
  • Runtime:96 minutes
  • Directors: Luigi Bazzoni, Mario Fanelli
  • Country:Italy
  • Actors:
    Alice Cespi
    Florinda Bolkan
    Henry
    Peter McEnery
    Paola Bersel / Paula Burton
    Nicoletta Elmi
    Boutique Owner
    Caterina Boratto
    Alfredo Laurenti / Alfred Lowenthal (as John Carlsen)
    John Karlsen
    Esmeralda Ruspoli
    Mary (as Evelyn Stewart)
    Ida Galli
    Alice's Supervisor (as Myriam Acevedo)
    Miriam Acevedo
    Marie Leblanche (as Rosita Toros)
    Rosita Torosh
    (as Luigi Guerra)
    Luigi Antonio Guerra
  • Genres:Mystery, Thriller
  • Producers:
    Marina Cicogna
    executive producer  
    Luciano Perugia
    producer  
no picture
  • User's comment:Footprints traveled by chaos-rampant

    I consider this a missed opportunity. I have very fond memories of the filmmaker's debut, an interesting psychosexual oddity called La Donna Del Lago, and watching this I'm inclined to think that earlier film worked so well because the giallo had not been mapped down yet; so he was free to travel where it was novel at the time. Polanski got there that same year, but he was already a name and had Deneuve with him and so made the bigger splash. Film history has noted Repulsion.

    This could have been even better. He has brought ambitious imagination with him, a visual palette of bright golden hues and relaxing blues, a sense of place and folded mysterious time with memory from Marienbad. He has Vittorio Storaro's eye behind the lens.

    The opening is more than promising. A woman wakes up with no memory of three days past. She has just seen a dream, a feverish vision of astronauts staggering on blasted moonscapes, which she remembers is from a movie called the same as the one we're watching; but a movie she left without watching the ending. She goes to Italy to investigate, in an effort to bring these images into focus.

    There it falls apart, in Italy incidentally. In the ten years since that first film that was in some ways a giallo ancestor the genre had come and was already on its way out. Between these two films Bazzoni had worked where it was the trend in the Italian industry, making a western and another giallo called The Fifth Chord. So when the more ambitious material for this came together, there were already footsteps he was expected to walk and had been trained to. The circumstances of a commercial movie industry were just so.

    So for the middle part of the film we get a giallo worked from convention. The convoluted plot where each character withholds crucial information until the time is right, and the protagonist has to cobble together a puzzle from clues and red herrings. Much ado.

    It comes full circle in the finale; the agents which she has imagined to be controlling her illusion return to pull her back into the fiction of the dream. It happens with extraordinary images of a stretch of empty cosmic beachside.

    Bazzoni never made another film after this. In the meantime, Polanski had rocketed into Hollywood orbit and was already on his way out. I reckon that Bazzoni was one of our sad losses, but alas he never made it to France where money didn't always expect to fill a double-bill.


  • Also known as: Apagogi ston planiti Z (Greece - video title), Die Spuren (West Germany - video title), Footprints ( - undefined), Footprints on the Moon (International - dubbed version, English title), Huellas de pisadas en la luna (Spain), Mardröm blir verklighet (Sweden), Mareridt bli'r virkelighed (Denmark), Primal Impulse (USA - video title), Slady (Poland), Spuren auf dem Mond (West Germany),

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